Hillingham, 24 August.—I must imitate Mina, and keep writing things down. Then we can have long talks when we do meet. I wonder when it will be. I wish she were with me again, for I feel so unhappy. Last night I seemed to be dreaming again just as I was at Whitby. Perhaps it is the change of air, or getting home again. It is all dark and horrid to me, for I can remember nothing. But I am full of vague fear, and I feel so weak and worn out. When Arthur came to lunch he looked quite grieved when he saw me, and I hadn’t the spirit to try to be cheerful. I wonder if I could sleep in mother’s room tonight. I shall make an excuse to try.

25 August.—Another bad night. Mother did not seem to take to my proposal. She seems not too well herself, and doubtless she fears to worry me. I tried to keep awake, and succeeded for a while, but when the clock struck twelve it waked me from a doze, so I must have been falling asleep. There was a sort of scratching or flapping at the window, but I did not mind it, and as I remember no more, I suppose I must have fallen asleep. More bad dreams. dreams I wish I could remember them. This morning I am horribly weak. My face is ghastly pale, and my throat pains me. It must be something wrong with my lungs, for I don’t seem to be getting air enough. I shall try to cheer up when Arthur comes, or else I know he will be miserable to see me so.

“Albemarle Hotel, 31 August “My dear Jack,

“I want you to do me a favour. Lucy is ill, that is she has no special disease, but she looks awful, and is getting worse every day. I have asked her if there is any cause, I not dare to ask her mother, for to disturb the poor lady’s mind about her daughter in her present state of health would be fatal. Mrs. Westenra has confided to me that her doom is spoken, disease of the heart, though poor Lucy does not know it yet. I am sure that there is something preying on my dear girl’s mind. I am almost distracted when I think of her. To look at her gives me a pang. I told her I should ask you to see her, and though she demurred at first, I know why, old fellow, she finally consented. It will be a painful task for you, I know, old friend, but it is for her sake, and I must not hesitate to ask, or you to act. You are to come to lunch at Hillingham tomorrow, two o’clock, so as not to arouse any suspicion in Mrs. Westenra, and after lunch Lucy will take an opportunity of being alone with you. I am filled with anxiety, and want to consult with you alone as soon as I can after you have seen her. Do not fail!

“Arthur.”

1 September

“Am summoned to see my father, who is worse. Am writing. Write me fully by tonight’s post to Ring. Wire me if necessary.”

2 September

“My dear old fellow,

“There was another in with Compeyson, as was called Arthur,—not as being so chrisen’d, but as a surname. He was in a Decline, and was a shadow to look at. Him and Compeyson had been in a bad thing with a rich lady some years afore, and they’d made a pot of money by it; but Compeyson betted and gamed, and he’d have run through the king’s taxes. So, Arthur was a dying, and a dying poor and with the horrors on him, and Compeyson’s wife (which Compeyson kicked mostly) was a having pity on him when she could, and Compeyson was a having pity on nothing and nobody.

“I might a took warning by Arthur, but I didn’t; and I won’t pretend I was partick’ler—for where ’ud be the good on it, dear boy and comrade? So I begun wi’ Compeyson, and a poor tool I was in his hands. Arthur lived at the top of Compeyson’s house (over nigh Brentford it was), and Compeyson kept a careful account agen him for board and lodging, in case he should ever get better to work it out. But Arthur soon settled the account. The second or third time as ever I see him, he come a tearing down into Compeyson’s parlor late at night, in only a flannel gown, with his hair all in a sweat, and he says to Compeyson’s wife, ‘Sally, she really is upstairs alonger me, now, and I can’t get rid of her. She’s all in white,’ he says, ‘wi’ white flowers in her hair, and she’s awful mad, and she’s got a shroud hanging over her arm, and she says she’ll put it on me at five in the morning.’

“Says Compeyson: ‘Why, you fool, don’t you know she’s got a living body? And how should she be up there, without coming through the door, or in at the window, and up the stairs?’

“‘I don’t know how she’s there,’ says Arthur, shivering dreadful with the horrors, ‘but she’s standing in the corner at the foot of the bed, awful mad. And over where her heart’s broke—you broke it!—there’s drops of blood.’

“Compeyson spoke hardy, but he was always a coward. ‘Go up alonger this drivelling sick man,’ he says to his wife, ‘and Magwitch, lend her a hand, will you?’ But he never come nigh himself.

“Compeyson’s wife and me took him up to bed agen, and he raved most dreadful. ‘Why look at her!’ he cries out. ‘She’s a shaking the shroud at me! Don’t you see her? Look at her eyes! Ain’t it awful to see her so mad?’ Next he cries, ‘She’ll put it on me, and then I’m done for! Take it away from her, take it away!’ And then he catched hold of us, and kep on a talking to her, and answering of her, till I half believed I see her myself.

“Compeyson’s wife, being used to him, giv him some liquor to get the horrors off, and by and by he quieted. ‘O, she’s gone! Has her keeper been for her?’ he says. ‘Yes,’ says Compeyson’s wife. ‘Did you tell him to lock her and bar her in?’ ‘Yes.’ ‘And to take that ugly thing away from her?’ ‘Yes, yes, all right.’ ‘You’re a good creetur,’ he says, ‘don’t leave me, whatever you do, and thank you!’